All Abraham Bloemaert 's Paintings

The Painting Names Are Sorted From A to Z
Oil On Canvas, Real Flavor of Old Masters

Choice ID Image  Painting (From A to Z)       Details 
73746 Berger montrant Tobie et l Ange  Berger montrant Tobie et l Ange   92,08 x 117,79 cm - Huile sur toile - Minneapolis Institute of Art Date c. 1625-1630 cyf
65903 Landscape with fruit and vegetables in the foreground  Landscape with fruit and vegetables in the foreground   after 1614(1614) (1614-1699) Oil on canvas 39 cm x 50 cm
65890 Landscape with the Ministry of John the Baptist.  Landscape with the Ministry of John the Baptist.   ca. 1600(1600) (1590-1610) Oil on canvas 139 188 cm (54.72 x 74.02 in)
81494 Niobe weeping for her children  Niobe weeping for her children   Date 1591(1591) Medium Oil on canvas Dimensions 204 cm x 249.5 cm cjr
85498 Niobe weeping for her children  Niobe weeping for her children   1591(1591) Medium Oil on canvas Dimensions 204 cm x 249.5 cm cyf
72133 Shepherd Boy Pointing at Tobias and the Angel  Shepherd Boy Pointing at Tobias and the Angel   Abraham Bloemaert - Shepherd Boy Pointing at Tobias and the Angel - 36 1/4 x 46 3/8 in. (92,08 x 117,79 cm) - Oil on canvas - Minneapolis Institute of Art
75335 Shepherd Boy Pointing at Tobias and the Angel  Shepherd Boy Pointing at Tobias and the Angel   Date c. 1625-1630 Medium Oil on canvas Dimensions 36 1/4 x 46 3/8 in. (92,08 x 117,79 cm) cyf
81322 Shepherdess with Grapes  Shepherdess with Grapes   Date 1628 Medium Oil on canvas Dimensions Deutsch: 104 x 83,5 cm cjr
89324 The Emmaus Disciples  The Emmaus Disciples   1622(1622) Medium oil on wood cyf
96135 The Four Evangelists  The Four Evangelists   1615 Medium painting cyf
90820 The Judgement of Paris  The Judgement of Paris   ? Medium oil on canvas Dimensions 28¾ x 39 in. (73 x 99 cm.) cyf
71422 Vertumnus and Pomona  Vertumnus and Pomona   Date 1620 Medium Oil on canvas Dimensions 98 x 125 cm (38.58 x 49.21 in)

Abraham Bloemaert
(1566, Gorinchem - 27 January 1651, Utrecht), was a Dutch painter and printmaker in etching and engraving. He was one of the "Haarlem Mannerists" from about 1585, but in the new century altered his style to fit new Baroque trends. Bloemaert was the son of an architect, who moved his family to Utrecht in 1575, where Abraham was first a pupil of Gerrit Splinter (pupil of Frans Floris) and of Joos de Beer. He then spent three years in Paris, studying under several masters, and on his return to his native country received further training from Hieronymus Francken. In 1591 he went to Amsterdam, and four years later settled finally at Utrecht, where he became dean of the Guild of St. Luke. He excelled more as a colourist than as a draughtsman, was extremely productive, and painted and etched historical and allegorical pictures, landscapes, still-life, animal pictures and flower pieces. In the first decade of the seventeenth-century, Bloemaert began formulating his landscape paintings to include pictoresque ruined cottagges and other pastoral elements. In these works, the religious or mythological figures play a subordinate role. Country life was to remain Bloemaert's favourite subject, which he depicted with increasing naturalism. He drew motifs such as peasant cottages, dovecotes and trees from life and then on his return to the studio, worked them up into complex imaginary scenes. Among his pupils are his four sons, Hendrick, Frederick, Cornelis, and Adriaan (all of whom achieved considerable reputation as painters or engravers), the two Honthorsts, Ferdinand Bol and Jacob Gerritsz Cuyp.



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